Fear is as much of a medium for Philippe Petit as is balance, poise, and control in his high wire act. In his death-defying walks across the Grand Canyon and between the World Trade Center towers, Petit bent fear to his will. At Lapham’s Quarterly, Petit reflects on what a lifetime of fear has meant to his art, and how he has faced fear on the wire and off.
Before my high-wire walk across the Seine to the second story of the Eiffel Tower, the seven-hundred-yard-long inclined cable looked so steep, the shadow of fear so real, I worried. Had there been an error in rigging calculations? No. I had just forgotten how high were my expectations, how mad I was to have conceived such a project. On the spot I vanquished my anxiety by imagining the best outcome: my victorious last step above a cheering crowd of 250,000.
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